Traumerei
by Charles Beaumont
At the sound, Henry Ritchie's hand
jerked. Most of the martini sloshed out over his robe. He jumped up,
swabbing furiously at the spots. "Goddam it!"
"Hank!" His wife slammed
her book together.
"Well, what do you expect? That
confounded buzzer –"
"–is a perfectly natural
normal buzzer. You're just terribly upset, dear."
"No," Mr. Ritchie said, "I
am not
'just terribly upset, dear' – for seven years I've been listening
to that banshee's wail every time somebody wants in. Well, I'm
through. Either it goes –"
"All right, all right,"
Mrs. Ritchie said. "You don't have to make a production out of
it."
"Well?"
"Well what?"
Mr. Ritchie sighed ponderously,
glared at his wife, set what was left of the martini down on a table
and went to the door. He slipped the chain.
"Be this the marster of 'arfway
'ouse?"
Mr. Ritchie opened the door. "Max
– what the devil are you doing up at this hour?"
A large man, well built, in his
forties, walked in, smiling. "I could ask you the same
question," he said, flinging his hat and scarf in the direction
of a chair, "but I'm far too thoughtful."
They went back into the living room.
Mrs. Ritchie looked up, frowned. "Oh, swell," she said.
"Dandy. All we need now is a bridge four."
"Ruth's just terribly upset,"
Mr. Ritchie said.
"Well," the large man said,
"it's nice to see unanimity in this house for once anyway. Hi,
Ruth." He walked over to the bar and found the martini mix and
drained the jar's contents into a glass. Then he drained the glass.
"Hey, take it easy!"
Max Kaplan turned to face his hosts.
He looked quite a bit older than usual: the grin wasn't boyish now.
"Dear folkses," he said, "when I die, I don't want to
see any full bottles around."
"Oh, ha-ha, that's just so very
deliriously funny," Mrs. Ritchie said. She was massaging her
temples.
"I am glad to see her ladyship
amused." Kaplan followed Mr. Ritchie's gaze. "Hickory
dickory dock, the mice looked at the clock. …"
"Oh, shut up."
"Oop, sorry." The big man
mixed up a new batch silently, then refilled the three glasses. He
sat down. The clock's tick, a deep sharp bass sound, got louder and
louder in the room. Kaplan rested his head on the couch arm. "Less
than an hour," he said. "Not even an hour –"
"I knew it." Mrs. Ritchie
stood up. "I knew it the minute you walked in. We're not nervous
enough, oh, no, now we've got to listen to the great city editor and
his news behind the news."
"Very well!" Kaplan rose
shakily. He was drunk; it showed now. "If I'm not welcome here,
then I shall go elsewhere to breathe my last."
"Never mind," Mrs. Ritchie
said. "Sit down. I've had a stomach full of this wake. If you
two insist on sitting up until X-hour like a couple of ghouls, well,
that's your business. I'm going to bed. And to sleep."
"What a woman," Kaplan
muttered, polishing off the martini. "Nerves of chilled steel."
Mrs. Ritchie looked at her husband
for a moment. Then she said, "Good night, dear," and
started for the door.
"See you in the morning,"
Mr. Ritchie said. "Get a good sleep."
Then Max Kaplan giggled. "Yeah,
a real good sleep."
Mrs. Ritchie left the room.
* * * * *
The big man fumbled for a cigarette.
He glanced at the clock. "Hank, for Chrissake –"
Henry Ritchie sighed and slumped in
the chair. "I tried, Max."
"Did you? Did you try – I mean
with everything?"
"With everything. Might as well
face it: the boy's going to burn, right on schedule."
Kaplan opened his mouth.
"Forget it. The governor isn't
about to issue a commutation. With the public's blood up the way it
is, he knows what it would mean to his vote. We were stupid even to
try."
"Lousy vultures."
Ritchie shrugged. "They're
hungry, Max. You forget, there hasn't been an execution in this state
for over two years. They're hungry."
"So a poor dumb kid's got to fry
alive in order for them to get their kicks. …"
"Wait a second now. Don't get
carried away. This same poor dumb kid is the boy who killed George
Sanderson in cold blood and then raped his wife, not too very long
ago. If I recall, your word for him then was Brutal Murderer."
"That was the paper. This is you
and me."
"Well, get that accusatory look
off your face. Murder and rape – those are stiff raps to beat,
pal."
"You did it with Beatty, you got
him off," Kaplan reminded his friend.
"Luck. Public mood – Beatty
was an old man, feeble. Look, Max – why don't you stop beating
around the bush?"
"Okay," Kaplan said slowly.
"They – let me in this afternoon. I talked with him again."
Ritchie nodded. "And?"
"Hank, I'm telling you – it
gives me the creeps. I swear it does."
"What did he tell you?"
Kaplan puffed on his cigarette
nervously, kept his eyes on the clock. "He was lying down when I
went in, curled up tight. Trying to sleep."
"Go on."
"When he heard me, he came to.
'Mr. Kaplan,' he says, 'you've got to make them believe me, you've
got to make them understand –' His eyesgot real big then, and –
Hank, I'm scared."
"Of what?"
"I don't know. Just him, maybe.
I'm not sure."
"He carrying the same line?"
"Yeah. But worse this time, more
intense somehow. …"
Ritchie tried to keep the smile. He
remembered, all right. Much too well. The whole story was crazy,
normally enough to get the kid off with a life sentence in the
criminally insane ward. But it was a little too
crazy, so the psychiatrists wouldn't buy.
"Can't get his words out of my
mind," Kaplan was saying. His eyes were closed. "'Mister,
tell them, tell them. If you kill me, then you'll all die. This whole
world of yours will die. …'"
Because,
Ritchie remembered, you
don't exist, any of you, except in my mind. Don't you see? I'm asleep
and dreaming all this. You, your wives, your children, it's all part
of my dream – and when you kill me then I'll wake up and that will
be the end of you. …
"Well," Ritchie said, "it's
original."
Kaplan shook his head.
"Come on, Max, snap out of it.
You act like you never listened to a lunatic before. People have been
predicting the end of the world ever since Year 1."
"Sure, I know. You don't have to
patronize me. It's just that – well, who is
this particular lunatic anyway? We don't know any more about him than
the day he was caught. Even the name we had to make up. Who is he,
where'd he come from, what's his home?"
My home … a world of eternities,
an eternity of worlds. … I must destroy, hurt, kill before I wake
always … and then once more I must sleep … always, always. …
"Look, there's a hundred
vagrants in every city. Just like our boy: no name, no friends, no
relatives."
"Then he doesn't seem in the
least odd to you, is that it? Is that what you're telling me?"
"So he's odd! I never met a
murderer that wasn't!" Ritchie recalled the lean hairless face,
the expressionless eyes, the slender youthful body that moved in
strange hesitant jerks, the halting voice.
* * * * *
The clock bonged the quarter hour.
Fifteen to twelve. Max Kaplan wiped the perspiration from his
forehead.
"And besides," Ritchie
said, somewhat too loudly, "it's plain ridiculous. He says –
what? We're a dream he's having, right? Okay – then what about our
parents, and their parents, everybody who never heard of the kid?"
"First thing I thought of. And
you know his answer."
Ritchie snorted.
"Well, think it over, for God's
sake. He says every
dream is a complete unit in itself. You – haven't you ever had
nightmares about people you'd never seen before?"
"Yes, I suppose so, but –"
"All right, even though they
were projections of your subconscious – or whatever the hell it's
called – they were complete, weren't they? Going somewhere, doing
something, all on their own?"
Ritchie was silent.
"Where were they going, what
were they doing? See? The kid says every dream, even ours, builds its
own whole world – complete, with a past and – as long as you stay
asleep – a future."
"Nonsense! What about us,
when we
sleep and dream? Or is the period when we're unconscious the time
he's
up and around? And keep in mind that everybody doesn't sleep at the
same time –"
"You're missing the point, Hank.
I said it was complete, didn't I? And isn't sleeping part of the
pattern?"
"Have another drink, Max. You're
slipping."
* * * * *
"What will you wake up to?"
"My home. You would not
understand."
"Then what?"
"Then I sleep again and dream
another world."
"Why did you kill George
Sanderson?"
"It is my eternal destiny to
kill and suffer punishment."
"Why? Why?"
"In my world I committed a
crime; it is the punishment of my world, this destiny. …"
"Then try this on for size,"
Ritchie said. "That kid's frozen stiff with fear. Since he's
going to have to wake up no matter what, then why not sit back and
enjoy it?"
Kaplan's eyes widened. "Hank,
how soundly do you sleep?"
"What's that got to do with it?"
"I mean, do you ever dream?"
"Of course."
"Ever get hold of any
particularly vivid ones? Falling down stairs like, being tortured,
anything like that?"
Ritchie pulled at his drink.
"Sure you have." Kaplan
gazed steadily at the clock. Almost midnight. "Then try to
remember. In that kind of dream, isn't it true that the pleasure –
or pain – you feel is almost as real as if you were actually
experiencing it? I remember once I had a nightmare about my old man.
He caught me in the basement with a cigarette – I was eight or
nine, I guess. He took down my pants and started after me with his
belt. Hank – that hurt, bad. It really hurt."
"So what's the point?"
"In my dream I tried to get away
from my old man. He chased me all over that basement. Well, it's the
same with the kid – except his dream is a hundred times more vivid,
that's all. He knows he'll feel that electric chair, feel the jolts
frying into him, feel the death boiling up in his throat just as much
as if he were honest-to-God sitting there. …"
Kaplan stopped talking. The two men
sat quietly watching the clock's invisible progress. Then Ritchie
leaped up and stalked over to the bar again. "Doggone you, Max,"
he called. "You're getting me
fidgety now."
"Don't kid me," Kaplan
said. "You've been fidgety on your own for quite a while. I
don't know how you ever made the grade as a criminal lawyer – you
don't know the first thing about lying."
Ritchie didn't answer. He poured the
drink slowly.
"Look at you and Ruth, screaming
at each other. And then there was the other tip-off. The way you
defended the kid – brilliantly, masterfully. You'd never have done
that for a common open-and-shut little killer."
"Max," Ritchie said,
"you're nuts. Tell you what: at exactly 12:01 I'll take you out
for the biggest, juiciest, rarest steak you ever saw. On me. Then
we'll get loaded and fall all over ourselves laughing –"
Ritchie fought away the sudden
picture of steak, rare steak, with the blood sputtering out, sizzling
on an electric stove.
The clock began to strike. Henry
Ritchie and Max Kaplan stood very still.
* * * * *
He uncoiled. The dry pop of hardened
joints jabbed wakefulness into him until finally the twenty-foot long
shell lay straight upon the steaming rocks. He opened his eyes, all
of them, one by one.
Across the bubbling pools, far away,
past the white stone geysers, he could see them coming. Many of them,
swiftly, giant slithering things with many arms and many legs.
He tried to move, but rock grew over
him and he could not move. By looking around he could see the cliff's
edge, and he remembered the thousand bottomless pits below. Gradually
the rest formed, and he remembered all.
He turned to the largest creature.
"Did you tell them?" He knew this would be a horrible
punishment, worse than the last, the burning, far worse. Fingers
began to unhinge the thick shell, peel it from him, leaving the
viscous white tenderness bare to the heat and pain. "Tell them,
make them understand, this is only a dream I'm having –"
They took the prisoner to the
precipice, lingered a moment to give him a view of the dizziness and
the sucking things far below. Then nervous hands pressed him forward
into space.
He did not wake for a long time.
Transcriber's Note: This etext was produced from
Infinity Science Fiction, February 1956.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.
This story is taken from Project Gutenberg. For legal reasons the following statement must be included: (This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org).
